Japan anime monsters from the Chinese "imports": local monster only 10%-Japan, anime, monsters-IT information

According to Taiwan of the Mong Kok report August 3, in Chinese culture, the "Monster" the word first appeared in the Eastern Jin dynasty scholar in Pao's Sou Shen JI, was faced with the unknown nature using imagination to interpret some incomprehensible phenomena, the "Monster" refers to all kinds of supernatural or image. Ancient legends of common derivatives in contemporary animation, such as snake demon, the fox demon, journey to the West is a collection of strange monsters.

Local monster only 10%

Reports that studies Japan folklore, comic book author a ghost taro, water mumao has said: "If you want to research Japan Monster's origin, I believe at least the 70% of prototype from China. "In addition 20% from India, and 10% is its own Monster. So Monster culture or image Shang, in the, and day two has is big of similar of at, as found God remember of "fell head" that Japan of "fly head pretty"; and classic in of Tengu, originally of image just a only very huge of dog, to has Japan is transformation for red, and long nasal, and double foot and line, and hand took fan.

Ghosts in China is mostly just hear sound, not its existence, but in Japan, Ghost is a monster. Japan's "ghost" 8 feet in length, colour, or red or green, curly hair, the first two corners, fight back hold iron, more Visual. Meanwhile, Monster culture, Japan Festival, vicious demons, also has the function of exorcisms, ward off evil spirits.

From monsters in the traditional culture to today's monster in the anime, is derived from the Japan Ukiyo-e Shi Ge Hokusai created the "comic" term Japan anime also inherited many Ukiyo-e in the use of color, a gorgeous, bright colors to attract attention. In addition, the popular anime Naruto, and scenes of the Evangelion, can also be found and Katsushika Hokusai, combining landscapes of the Kanagawa wave.

Comic combining traditional culture

In traditional Monster culture and under the influence of Ukiyo, Japan success will belong to culture monster, beast, into the Elf treasure can be recognized by global players such as dream images, and in anime and manga form in multi-national broadcast and distribution.

日本动漫妖怪多从中国“进口”：本土妖怪仅占1成 - 日本,动漫,妖怪 - IT资讯

据台湾《旺报》网站8月3日报道，中国文化里的“妖怪”一词，最早出现于东晋文人干宝《搜神记》中，是人们面对未知的自然界，运用想像来解读一些难以理解的现象，因此“妖怪”泛指各种超自然的事物或形象。古代传说常见并衍生在当代动漫中的，如蛇身人面妖、狐妖等，《西游记》里更是千奇百怪的妖怪大集合。

本土妖怪仅1成

报道称，研究日本民俗学、漫画《鬼太郎》作者的水木茂就曾说：“如果要考证日本妖怪的起源，我相信至少有70%的原型来自中国。”除此之外的20%来自印度，剩下10%才是其本土的妖怪。由此可知妖怪文化或形象上，中、日两国有很大的相似之处，如《搜神记》的“落头式”即日本的“飞头蛮”;而《山海经》里的天狗，原本的形象只是一只非常巨大的狗，到了日本则改造为红脸、长鼻、双足而行、手拿团扇。

鬼在中国多半是只闻其声，不见其形的存在，但在日本，鬼则是妖怪的一种。日本的“鬼”身长8尺，肤色或红或青，一头卷发、头生两角，还手执铁棒，更见形象化。同时，就妖怪文化而言，日本祭祀活动中，凶神恶煞的鬼，同样有着驱魔、避邪的功能。

从传统的妖怪文化到今日动漫中的妖怪，则源于日本浮世绘师葛饰北斋创造了“漫画”一词，日本动漫也继承了许多浮世绘中的色彩运用方式，以艳丽、鲜亮的色彩吸引目光。此外，热门动漫《火影忍者》、《海贼王》的场景，亦可发现与葛饰北斋的风景画《神奈川巨浪》相结合。

漫画结合传统文化

在传统妖怪文化与浮世绘的影响下，日本成功将属于自身文化中的妖、兽，转化为精灵宝可梦等受到全球玩家认可的形象，并以动画和漫画形式在多国播出、发行。