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People will have to large aperture? 8 hang over your photography, saying,

People will have to large aperture? 8 hang over your photography, saying,(拍人就要大光圈?8条坑过你的摄影金句,)

English

中文

People will have to large aperture? 8 pit your golden-photography, photo-IT information

Lu Xun said, "no road in the world, more people became."

Photography isn't. There is no golden rule, only longer widely spread, all Word of mouth, and finally turned out to be absolutely correct. (As a child he had been deceived, and textbooks that the Moon could be seen on the great wall, said rabbits like carrot, is entirely bullshit light) or not, eight below, you must have.

NO.8

Focus first, then the composition

Many older drivers in preaching, tuition, FAQ's, recommends getting started user focus and composition. The reason is simple, the center of the viewfinder focus works best, half-press the shutter, lock the focus, and then move the lens, the principal can arrange as you like in any of the photos and ensure that the focus is on the subject, press the shutter.

Words, in certain models of Canon SLR manual, there is such a proposal. What you do? Of course, but this is the past for body focus performance is limited, and only had to make compromises, very easy to run Coke. Now of SLR camera, on even Canon 760D this level of are is 19 points full cross focus system, and Nikon new launched of D500, more is equipped with has 153 points focus system, so intensive of on focus cover, for continuous focus for, can ensure objects in on focus cover regional within 100% was a or above on focus cover and continuous Chase Coke, first focus Hou composition apparently became no meaning has.

In addition, many people use DSLR for several years, did not know the focus is moving ... ...

NO.7

Ridiculous Fibonacci spiral composition method

Photographic composition, the composition rule is often used to "three points method", that is, the Golden, four intersection of four lines is called the golden point. During the shoot, main picture in Golden or Golden line, more in line with the habits of people in order to highlight the subject and made more coherent purpose. Do not know when, suddenly comes to a Fibonacci spiral composition method, is said to be by Leonardo ? Fibonacci discovered in around 1200 ad.

Excuse me, do you have a camera at that time? When artists draw, first used a ruler to measure the size and then you ever wrote? Complete nonsense, whether or not images and Golden spiral relationship, see Golden spiral, forming a composition law, sounded on the tall, actually talk.

First time to see such a composition, feels admiration for the photographer's exquisite compositions, more and more wrong. Photographer's how subtle calculated? Moment can be so subtle?

It seems to me, photography is not solving math problems, really no need to back so many formulas, in fact, few can remember. There is text on the screen, it seems useful, but more experience in the actual shooting, saying: "no winner". As a photographer in the face up, should not think about how to light, what the parameter is, what kind of composition, the first is that the contents of the screen to how you hit or moved, others are clouds.

NO.6

Aperture F8 has no head

"Aperture F8 has no head" is often on the lips of many people. According to the is from the lens's MTF curve. Indeed, most of the lenses from the MTF curve, Aperture F8 than when fully open, to close after a small aperture, picture quality can go beyond the bull, then definitely would like to place a big question mark. Interpretation of MTF curves, after all, only the contrast and resolution of the lens, not distinguishing characteristics such as anti glare, distortion, so from a thin MTF curve you attempt to rehabilitated for the dog, it is irresponsible. In addition, you spend a lot of money, large aperture lens, does not do is to use a large aperture cool?

I think science is, do not end, different grades of different focal length, different sizes and comparing Prime and zoom lenses, because they are affected by the design specifications, optical properties, the impact of aberrations as well as costs, material is very large, not comparable, only the same grades and specifications of the lens has more significance.

NO.5

One large aperture

A large aperture is the portrait of an adverse climate, water standards. Blur fans can never indulge in paper thin depth, but no matter what shooting purpose are designed to performance. Concerned only with much more aperture blades, spot circle not circle, soft just the background, there is no cream, bloom is not cut out. If the pursuit of such an effect, really not go on location, Studio with Pat.

A set of portraits, frequently using large aperture is a very disgusting thing, and depth of field is too shallow, it is easy to run Coke, don't believe it, you zoom in. In the case of light allows, aperture will not let you receive several retaining bovine head pale. Keep in mind that large aperture is not only quick and poisons.

NO.4

Scenery with wide angle

Many photographers went out collecting folk songs, always used to take wide-angle lens, telephoto lenses at home, in order to lighten, thinks that he is doing is very smart. In fact wrong, wide angle light, the advantages of large depth of field, wide angle, but incorporate elements more beauty to the picture it is necessary to allocate individual elements on the screen in various locations, more difficult to control, skill fails very stretched sense.

You will find in the travel, telephoto is used most frequently

Telephoto contains no amount of wide angle, more like to do subtraction easy composition and telephoto lens out of the picture a sense of compressed, obviously exaggerated vision of compression depth, vision and a close-up tightly affixed to the screen, less wide-angle lens brings the feeling of depth. The most typical example is to go to xiapu Beach, go to bashang grassland.

Is the difference between photographers and painters, painting are starting from a blank screen, then decided to put something into the picture, to express his ideas. Photographers are not removed in the existing landscape-related content, so that it reflects nature. Good pictures are close-up, partial, which left more room for imagination, driven thought.

NO.3

Backlight out

Turns over 80% of the photographer cannot be blurred camera control, so people would only occur, either black or white. For the rest of the 20%, or not, or large. Backlight shooting was spelled synthesis techniques, in addition to shrinking the aperture, choosing to focus, but also to prevent death by exposure compensation white. Experts will use fill flash, or use a bracketing, RAW mode to later collect more material.

So, backlighting is not no, but not easy.

NO.2

Looks bad because of not enough

Like Kappa said, "looks good enough, because you are not close." This sentence down to today, there is little sense, but absolutely not the truth, because sometimes even the subject a little bit closer does not necessarily make a good photo, sometimes close to but not prone to make good pictures. When I was in Koh Samui people featured, as you approached, he becomes nervous, looking but not natural, if you are using a telephoto lens, there will be no such embarrassment and, of course, is likely to be rejected.

In fact, "distance" cannot truly take a good photo, this sentence in the "distance" is really not our near relations said, but in the mind of the point, is the degree of understanding and desire to participate. Photography is more than just pressing the shutter, and also contained thoughts. Thinking is an excellent photographic work essential prerequisites and elements.

NO.1

Stay away from photography, photography will be three generations of the poor

I think this article should be added. Many people say poor generation of photography, SLR destroyed lives. Think, encouraging her husband to photography, fascinated him to mention that this belongs to cultivate, invisible decrease opportunities to gamble, drink, pick up hot chicks.

Saying: "to marry men who love photography".

There is a saying: "man does not love photography". We encourage each other!


拍人就要大光圈?8条坑过你的摄影金句 - 摄影,拍照 - IT资讯

鲁迅说过:“世界上本没有路,走的人多了便成了路”。

其实摄影圈何尝不是。原本就没有什么金律,只是流传久广,大家口口相传,最后竟然被认为绝对正确。(小时候就被骗过,课本说月球上能看到长城,说兔子喜欢吃胡萝卜,完全就是瞎扯淡)别不信,下面八条,你肯定有中招的。

NO.8

先对焦后构图

很多老司机在传道、授业、解惑的时候,会建议入门用户先对焦,再构图。理由很简单,取景器的中心点对焦效果最好,半按快门,锁定对焦,然后移动镜头,将主体可以随意地安排在照片的任何位置并且保证焦点是在主体上,按下快门。

话说,在某些型号的佳能单反说明书上,也有这样的建议。究竟可以不可以这样做?当然可以,但这是过去因为机身对焦性能有限,才不得已做出的妥协,非常容易跑焦。如今的单反相机,就连佳能760D这个级别的都是19点全十字对焦系统,而尼康新推出的D500,更是配备了153点对焦系统,如此密集的对焦点覆盖,对于连续对焦来说,能够确保物体在对焦点覆盖区域内100%被一个或者以上对焦点覆盖并且连续追焦,先对焦后构图显然变得没有意义了。

另外,很多人用了好几年单反,都不知道对焦点是可以移动的……

NO.7

荒谬的斐波那契螺旋线构图法

在摄影构图中,常常用到的构图法则“三分法”,即黄金分割,四条线的四个交点就叫黄金分割点。在拍摄时,把画面的主体放在黄金分割点或是黄金分割线上,这样更符合人的审美习惯,以达到突出主体并让画面更协调的目的。也不知道什么时候,突然就冒出来一个斐波那契螺旋线构图法,据说是由莱昂纳多·斐波纳契在公元1200年左右发现。

请问,那个时候有相机吗?难道艺术大师画画的时候,要先用尺子量一下尺寸,然后再下笔吗?完全就是扯淡,不管画面和黄金螺旋有没有关系,把黄金螺旋放上去看,就形成了一种构图法,听起来高大上,实则忽悠。

第一次看这样的构图,感觉非常的佩服摄影师的精妙构图,可越想越不对。摄影师是怎么精妙计算的?对瞬间就能做到如此精妙?

在我看来,玩摄影不是解数学题,真心没有必要背那么多口诀,其实也没几条能记住。有文字在屏幕上看,似乎有用,但实际拍摄中更多靠经验,有句话叫:“无招胜有招”。作为一个摄影爱好者面对大作,不应多想如何布光、参数是什么、构图用什么技巧,首当其冲是这个画面的内容给你怎样的冲击或感动,其他都是浮云。

NO.6

光圈F8下无狗头

“光圈F8下无狗头”是很多人经常挂在嘴边的。根据是来自镜头的MTF曲线。的确,绝大部分镜头从MTF曲线来看,的确光圈在F8的时候要好于全开,收小光圈后,画质能不能超越牛头,那绝对要打一个大大的问号。毕竟MTF曲线只能判读镜头的反差和分辨率特性,无法判别诸如抗眩光、畸变等特性,所以从一条单薄的MTF曲线就试图为狗头平反,那是不负责任的说法。此外,你花大价钱买大光圈镜头,不就是为了用大光圈爽吗?

我还想科普的是,不要将不同焦距端、不同档次、不同规格以及定焦和变焦等不同镜头做比较,因为它们的特性受设计规格、光学特性、像差以及成本、用料的影响很大,不具有可比性,只有同档次、同规格的镜头才具有比较意义。

NO.5

拍人就要大光圈

大光圈是国内人像摄影界的一种不良风气,也是糖水片标准。虚化爱好者永远都只沉迷于薄如纸的景深,却不管拍摄目的到底是为了表现什么。只关心光圈叶片多不多,出来光斑圆不圆,背景柔不柔,有没有奶油感,空气感是不是切割了。如果追求这样的效果,真心不要去出外景,摄影棚内拍拍算了。

一组人像照片,频繁使用大光圈是一件让人非常反感的事情,而且景深太浅,极为容易跑焦,不信的话,你自己放大看看。在光线允许的情况下,收几挡光圈不会让你的牛头失色。牢记,大光圈不仅仅是猛药,也是毒药。

NO.4

拍风光用广角

很多摄影爱好者出门采风,总是习惯性的把广角镜头带上,把长焦镜头留在家里,为的是减负,自以为这样做非常聪明。其实大错特错,广角有进光量大、景深大、角度广等优点,但纳入元素多,图片要有美感就必须要把各个元素合理分配在画面中的各个位置,控制起来较难,功力不济者常有捉襟见肘之感。

在旅行中你会发现,原来长焦是使用频率最高的

长焦包含的信息量没有广角那么大,更像是在做减法,容易构图,且长焦镜头拍出的画面有压缩感,很明显的夸大远景,压缩景深,远景和近景紧紧贴在画面,少了广角镜头带来的那种纵深感。最典型的例子,就是去霞浦拍滩涂,去坝上拍草原。

摄影师和画家的区别是,作画是从一个空白的画面开始,然后决定把一些东西加进画面内,来表达自己的意念。摄影师是在现有的景物中去掉不相关的内容,使之反映本质。好的照片往往是特写的、局部的,这样的留给观众更多的想象空间,带动思考。

NO.3

逆光不出片

事实证明80%以上的摄影爱好者无法在逆光下控制相机,所以才会出现拍人,不是黑脸就是白脸。对于剩下的20%,要么不出片,要么出大片。逆光拍摄是拼综合技术的,除了要收缩光圈,合理选择对焦点,还要通过曝光补偿来防止死白。高手还会用闪光灯补光,或者使用包围曝光、RAW模式为后期搜集更多素材。

所以说,逆光不是不出片,而是不容易出片。

NO.2

拍得不好是因为靠的不够近

好像是卡帕说过,“拍得不够好,是因为你离得不够近”。这句话流传到今,的确有一点道理,但绝对不是真理,因为有时即便再靠近被摄体一点儿也不一定拍出好照片,有时候靠近了反而不容易出好照片。我在苏梅岛的时候拍摄人物特写,当你真的靠近时,他变得紧张了,表情反而不自然,如果用长焦镜头抓拍,就不会出现这样的尴尬,当然也有可能会被拒绝。

其实“距离”绝对不能让你真正拍出好照片,这句话的里的“距离”其实并非我们说的远近关系,而是心里的切合点,是理解的程度,想参与进去的欲望。摄影不仅仅只是按动快门,还包含着思考。思考是优秀摄影作品不可缺少的前提和要素。

NO.1

远离摄影,摄影会穷三代

我觉得这一条必须要加上。很多人都说摄影穷三代,单反毁一生。其实想想,鼓励自己的老公去摄影,让他着迷入魔,这属于陶冶情操,无形之中就会减少赌博、喝酒、泡妞的机会了。

有句话说得好:“要嫁就嫁爱摄影的男人”。

还有一句话:“爱摄影的男人不会差”。大家共勉!






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