Famous Chinese writers: Opus costs 100 million small meat paid 80 million | TV | writers | _ paid news
> Gao Mantang, Member of the Chinese people's political consultative conference, a famous screenwriter. Served as Chuang Guandong, North wind that blows and other realistic works of writers
Member of the Chinese people's political consultative conference, and the famous writer Gao Mantang facing television industry turmoil, has on several occasions called for, creators in the pursuit of ratings and money at the same time, should take up the responsibility and leave some good works for future generations. In addition, Gao Mantang noted realist subject matter should review and the series of standards.
TV series further and further from realism
The Beijing News: current TV industry what is the problem?
Gao Mantang: now make a 100 million cost of the show, please go to the small meat, paid between 70 million or 80 million, only 20 million or 30 million left the Director, screenwriter, and post-production team. Because there is no money to do the follow-up, causing an awful lot of work, which has become the new normal.
The Beijing News: in the present, realism subject how to survive?
Gao Mantang: realist themes of living space more and more narrow-minded. Listen to realism, is serious and profound. Not quite like that. Realism, adhere to the principle of the word is real. But traditional realism is also advancing with the times, in the expression to be closer to the hot spots, close to reality. In the creation of closely integrated with reality, more realistic, more topics, this play will still be an audience favorite.
The Beijing News: some drama Directors also began making costumes, fantasy. What do you think?
Gao Mantang: on the road of realism creation, fewer and fewer people. TV series further and further from realism. People immersed in a ghost gods, ancient Idol, Idol. Any art is so simplified, there will be a problem. Such as the present situation is that no good TV can be seen in the elderly.
The Beijing News: Government needs to do what?
Gao Mantang Government culture now invested a lot, but my suggestion is that input and strengthen supervision. For example, realism subject to review, the standard of play, IP and network play. Furthermore is the actor high salaries to control.
Writer but not a hundred meters to the marathon
The Beijing News: media reports, 2016 film industry a temporary shock, no one can say it works. What do you think?
Gao Mantang: this is also normal, not every harvest. The industry is the rising curve, spiral process, can't say which year a good drama, is not normal. Is the ups and downs of the industry development.
The Beijing News: two years, leading film industry of the Internet, when the screenplay seems less and less threshold. What do you think about this matter?
Gao Mantang: writers who can make. Now a network IP, about 100,000 words, are sold to millions of Yuan. Overnight is just a temporary phenomenon.
The Beijing News: new writers into old screenwriter's status has changed?
Gao Mantang: there were some good writers, an overnight writer has, but a lot of writers still need a long effort. The industry will ultimately spell power. Not a hundred meters, but a marathon, take a long run.
The Beijing News: said that Chinese TV entertainment to die before you have to collapse, and now the situation has changed you?
Gao Mantang: this trend has not been effectively curbed, still in development, which is, I'm not too optimistic, did not see much change.
★ Memory news
"IP" and "fresh meat" occupation of the TV market
"IP" and "fresh meat", "ghost immortal" is the buzzword of the television market in recent years. IP for two or more television adaptation, development literature. "Tiny meat" is synonymous with young, good-looking male star. "Ghost immortal" is the supernatural, ghosts, fairy, martial-arts movies and TV dramas such as known. Which film squeeze a realism movies and TV drama market. In recent days, said Gao Mantang, current phenomena in the TV industry, made him feel upset, but very weak. "Me and (the) national generation, talked about this issue at a time, and really want to cry. ”
>: Tang Liu Guangbo
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中国著名编剧:电视剧成本1亿 小鲜肉片酬8千万|电视剧|编剧|片酬_新闻资讯
>高满堂，中国政协委员、著名编剧。曾担任《闯关东》、《北风那个吹》等现实主义作品编剧
中国政协委员、著名编剧高满堂面对目前电视剧行业乱象，曾在多个场合呼吁，创作者在追逐收视率和金钱的同时，也应该担负起责任，为后代留下些好的作品。此外，高满堂指出对现实主义题材审查应该和网络剧的标准一致。
电视剧离现实主义越来越远
新京报：目前电视剧行业存在哪些问题？
高满堂：现在拍摄一部1亿成本的电视剧，要请到这些当红小鲜肉，片酬基本在七八千万之间，只有两三千万留给导演、编剧、团队和后期制作。因为没有钱做后续，造成大量的垃圾作品出现，这已经变成了新常态。
新京报：在当下，现实主义题材如何生存？
高满堂：现实主义题材的生存空间越来越狭窄了。一听现实主义，就觉得是严肃的、深刻的。也不完全是这样。现实主义秉持的原则就是两个字，真实。但传统的现实主义也得与时俱进，在表现手法上要贴近热点、贴近现实。在创作中跟现实紧密结合，更具现实意义，更有话题感，这样的剧照样会受到观众喜爱。
新京报：一些拍正剧的导演也开始拍古装、拍玄幻。你怎么看？
高满堂：现实主义创作的道路上，人越来越少。电视剧离现实主义越来越远了。大家沉浸在一片鬼怪神仙侠、古代偶像剧、青春偶像剧中。任何艺术这么单一化，都会有问题。比如现在的状况就是，中老年人没有好的电视剧可以看了。
新京报：政府需要做什么？
高满堂：政府现在对文化方面投入很多，但我的建议是，投入的同时要加强监管。比如，对现实主义题材审查，应该和网络剧、IP剧的标准一致。再者就是演员高片酬要控制。
编剧行业不是百米赛而是马拉松
新京报：有媒体称，2016年影视剧行业暂时性休克，拿不出一个可以说得上的作品。你怎么看？
高满堂：这个也正常，也不能年年都丰收。整个行业是曲线上升、螺旋上升的过程，不能说哪年不出好剧，就不正常。行业发展是起伏变化的。
新京报：这两年，互联网主导影视剧行业，当编剧好像越来越没有门槛了。你怎么看待这件事？
高满堂：编剧谁都可以搞。现在一个网络IP，十来万字，都卖到上千万元了。一夜暴富只是一个暂时现象。
新京报：新编剧涌入，老编剧的地位有变化吗？
高满堂：出现一些好编剧，一夜暴富的编剧都有，但是大量编剧还需要漫长的努力。这个行业最终拼实力。不是百米赛，而是马拉松，需要漫长的奔跑。
新京报：你之前说中国电视剧娱乐至死已经到了崩溃边缘，现在情况有改观吗？
高满堂：这个趋势没有得到有效遏制，现在还在发展，这一点，我不太乐观，也没有看到太多改变。
★新闻内存
“IP”、“小鲜肉”占领电视剧市场
“IP”、“小鲜肉”、“鬼怪神仙侠”是近年电视剧市场的热词。IP指适合二次或多次改编、开发的影视文学等。“小鲜肉”是年轻、帅气男明星的代名词。“鬼怪神仙侠”是灵异、鬼怪、神仙、武侠等题材影视剧的合称。这类影视剧挤压了现实主义题材影视剧的市场。近日，高满堂表示，目前电视剧行业出现的各种现象，让他觉得心痛，但又很无力。“我和（张）国立这代人，每次谈起这个问题，真的想大哭一场。”
>责任编辑：刘光博
文章关键词： 电视剧 编剧 片酬
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